THE ARTS SOCIETY SANDERSTEAD
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DateLecture
27 February 2018The Sincerest Form of Flattery – Great Images and those who borrow them
27 March 2018Frida Kahlo : Reflections of Life on Canvas
24 April 2018Pots and Frocks – the World of Grayson Perry
22 May 2018The Artists of Montmartre – The Pilgrims of Babylon
26 June 2018Eric Ravilious and the Lure of Everyday
24 July 2018The Americans are Coming : John Singleton Copley and Benjamin West
25 September 2018Rachel Whiteread
23 October 2018Artists in Paris 1920’s and 1930’s
27 November 2018The Golden Age of Danish Painting

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The Sincerest Form of Flattery – Great Images and those who borrow them Barry Venning Tuesday 27 February 2018

Artists and designers have always imitated their predecessors.  Their motives for doing so range from genuine respect to outright parody, and the more a work is copied, adapted, quoted and repackaged, the more it lives on in the public imagination.  This is a lecture that deals with artistic borrowing, drawing on a very wide range of art and design, including painting, sculpture, photography, graphic design and fashion. The artists on whom it touches include Constable, Leonardo, Manet, Warhol, Turner, Dali, Harry Beck (creator of the Tube Map), Alexander McQueen (fashion designer), the photographers Martin Parr and Lewis Morley.  It concludes with the strange 'afterlife' of Alfred Leete's famous WW1 recruiting poster of Lord Kitchener.

Reading : “From Christ to Coke: how image becomes icon.” Martin Kemp Oxford University Press 2012 / “Turner inspired - in the Light of Claude. “ Ian Warrell Yale University Press 2012 / “Picasso – Challenging the Past” Elizabeth Cowling and Neil Cox  Yale University Press 2010 / “Appropriation: documents of contemporary art” David Evans (editor) Whitechapel Art Gallery 2009.

Barry Venning has talked to us previously - on “Cartoonists’ Views of Modern Art” in 2016 and, at short notice, on “American Abstract Art” in 2017.

He is an historian of British art with a particular interest in the work of JMW Turner, on whom he has published widely, including the volume on Turner in Phaidon's Art & Ideas series, and several catalogue essays for exhibitions in the UK, Germany, Italy and Poland.  He was the BBC's script consultant on Turner's Fighting Temeraire and has recently taken part (2013) in a BBC documentary called The Genius of Turner: Painting the Industrial Revolution.  He has also published a study of John Constable's paintings.  His interests and his teaching extend from medieval architecture to contemporary British art.  He is currently Associate Lecturer with the Open University and lecturing on a freelance basis for The Arts Society, Christie's Education and other organisations.